Vogue 1088 and Burda 7658

I love the look of Vogue 1088, but the back of the top, not so much.

That’s because there is no top at “back of the top”.  Although my hatred for bras exceeds nearly every other prejudice I hold, this is not a dress I could wear without a bra of some kind.  Strapless is not an option for me, so I decided to use the bodice from Burda 7658 instead:

It was nearly a perfect trade-off, facilitated quite a bit by the open front of the Vogue pattern, which has you simply turn the skirt edges back to  make a facing.  Lots of fudge room there.  Here it is, completed:

That belt’s all wrong, but I still can’t decide what to do about it.  I don’t really like the look of the Vogue belt (just not nuts about hemp around the waist), but I can’t deny that it looks better than the black ones I’ve tried so far.  I’ll have to give that some thought.

I cut a ten through the shoulders and waist of the bodice, and a twelve at the bust and for the skirt (I made modifications there as needed to fit the bodice).  Although I’m short (5 feet, 2.5 inches to be exact), I did not shorten the skirt, since I love this length.

I knew that the skirt would be a bit of an issue, since it has what looked like huge, draped pockets.  Here’s the secret to success with this pattern:  Those drapes aren’t pockets!

The instructions, and the pattern tissue, are full of references to something called a “belt”.  That’s what those drapes are — fabric “belts” that drape across and over hidden pockets.  Hard to visualize?  I pinned the skirt tissue together so that I’d have a look before cutting into the fabric:

Wonky, no?  And so exciting!  Angling off over toward the upper right is the facing edge of the skirt front. Attached to it is the skirt side, with what looks like a rounded, squarish piece bulging weirdly out from an otherwise fairly normal-looking pattern piece.  That’s the belt.  Eventually you’ll pick it up, attach it to the straight edge on the tissue over on the left, and it will drape nicely.

Construction is actually surprisingly simple, as long as you watch your notches and check each piece as you add one to the other.  The pockets are supposed to be welted, but I preferred zipper pockets, and I also deepened them so that they’d be more useful.

Here’s a view inside the belt. looking down toward the hem.  You won’t want to mistake the belt for a pocket; it’s completely open across the bottom edge:

You can just make out the zipper.  Yes, that is a light dusting of environmental fuzz.  I live with an angora cat.  I’m completely resigned; there’s really nothing that can be done about it.  At least I have no carpets; you have no idea how that helps.

The belts are just wrapped around and inserted into the back side seams.  Easy-peasy.  Here’s the way the belt looks as the dress is worn:

You  can’t see the pocket itself at all, and, much to  my surprise, the belt draped very nicely even in this unforgiving fabric.  In fact, mine looks virtually identical to the Vogue shot.

I loved being able to put in over-sized pockets; the skirt is so full that you can actually use them without anyone being the wiser.  The Vogue pockets are rectangles; if I make this again, I’ll make them a teardrop shape that follows the hip a bit better.  If you use the smaller Vogue pockets, that won’t matter.

There’s a huge amount of edge- and top- stitching, which I happen to love.  If you don’t, this may  not be the pattern for you, as it’s functional in some crucial areas.  Bliss!

The Burda bodice has the same feeling as Karan’s, but looks just a bit more vintage-y.  And, of course, it has that full back.  Here it is before I added buttonholes:

The bodice fit almost perfectly into the skirt, although I should have adjusted the curve at the waist facing to accommodate the bodice a bit better.  I had to make a quarter-inch adjustment in the circular rise on each side there.

At least that’s what I thought as I got close to the finish line.  However, something went seriously wrong with the back, and I nearly finished the dress without ever  noticing.  Fortunately,  Mr. Noile did, though, and described it to  me.  Although the armholes fit the way I wanted them to, and both the neck and waist did, too, halfway between the top of my shoulder and my armpit, on either side of the center  the back didn’t work at all.

I don’t really know how to describe what was wrong, but, trust me, it was very, very wrong.  I think my unfamiliarity with Miss Bedelia contributed to my failure to see this.  I may have been guilty of some misinterpretation of some of the lumps and bumps of her wire frame.

In any case, I took a day to consider what to do about it. Should I just chuck the whole thing?  But, ohhhh, I do love that skirt!  Should I just make the dress into a skirt, and call it an interesting separate?

In the end, feeling like a neophyte surgeon, I performed a whole-back-transplant.  Yep, I removed the whole back (and only the back) of the bodice, and replaced it with a newly-altered, newly-cut piece.  I hadn’t ever encountered this kind of fit issue before, so I winged the alterations.  The final result isn’t perfect by any means, but it’s much better, and certainly wearable.

This was my first Burda clothing pattern, and I wondered what I’d think of the bias-strip finish on the armholes.  I think it’s a “no” for me — there’s just way too much bulk when the trim is folded over; I’m worried that it won’t stay in place (on this slanting shoulder seam, anyway, which is longer than the average armhole) without more aggressive topstitching than I want on this dress.  I really like a nice, smooth facing. That’s what I’ll do next time.

I did continue the edge-stitching down along the facing edge to keep the edge crisp; Vogue doesn’t have you do that.

I strengthened the buttonholes by using heavy duty thread in my buttonhole foot; I’ll post about that later.

I’m a little a lot too squeamish fastidious to adopt Peter’s attitude toward thrift-store sheets, but I did make this from a (brand-new) cotton/poly sheet, so Peter’s example was not completely lost on me. A sheet was perfect since I didn’t want to spend a fortune on an experiment, and I knew it would it let me be wasteful with my cutting layout, if that were necessary.  Not to mention that I could cut the large skirt pieces, doubled, flat, without having to do each one individually.

Yes, this is a “wearable muslin”.  I hate to jump into the controversy about that term, but, for what it’s worth, here’s my take:  When I did proper tailoring, I made a proper muslin.  You have to; it’s part of the process.  A tailor’s muslin isn’t ever worn, or even “finished” (as Ann points out).   However, now that I sew things that are much less structured, I often make them up in a fabric I feel free to toss if it doesn’t work out — or to wear, if it does.  That’s what I call a “wearable muslin”.  Times change, terms change.  We can adjust.  Or defend your terms, as Ann does, very well and amusingly, in her post, which you should read!

Making this dress did remind me of how utterly awful cotton/poly blends are.  Gag.  The next sheet’s going to be 100% cotton.

Related:  I made a different belt for this dress — see Quick Belt

Posted in Dresses | 2 Comments

Five Fingers — Yes, Baby!

OK, this is a controversy I can’t avoid.  Five Fingers!  Lsa, of As I Said . . . , has been scarred by an encounter with my favorite kayaking shoes:

Now, I agree with Lsa’s main point — even I have to admit that these stupendous, wonderful, incredibly comfortable foot-coddlers are NOT  fashion-forward.  BUT I feel compelled to rise to their defense (I’ve done it before, though with a different focus).  If you like having bare feet, you’ll probably love these things — it’s bare foot without any of the drawbacks.

So what do you think?  If Vibram made them transparent (so that they were essentially visible), could we wear them with real clothes and mainstream them into our fashion consciousness?  I’m  just suggesting .  .  .

Related:  Five Fingers for the Feet

Posted in Adventure/Travel, Fun, Kayak Stuff | 4 Comments

“My Double” Instruction Booklet

Miss Bedelia was originally shipped with an instruction booklet, which I was lucky to find on eBay.  It’s got very complete directions for fitting the dress form, and is, all in all, a marvel of clear English.  Which is more than I can say for any other instruction manual I’ve seen in, say, the last 30 years or so.

Here’s the cover:

Page One, emphasizing the wide variation of suitable sizes (including the suggestion that “Aunt Jane” may be “a size or two, or even three, larger than you”:

Page Two, fitting the halves to Aunt Jane (the implication here is that you’ll need a helper to fit “My Double”, and that is correct.  Very correct:

Page Three, a description of the two distinct types of meshes, and how to adjust each properly:

Page Four, molding the form to the body in question:

Page Five, fitting the bust, upper back, waist, lower body, and collar

Page Six, double checking and removing the form:

Page Seven, assembling and adjusting the stand:

Page Eight, using the adjustable sliding rods to make the form rigid on the stand:

Page Nine (to be done before the steps on page eight), checking Aunt Jane’s posture to ensure it’s duplicated correctly:

Back Page, attaching tapes for pinning dress material to the form:

Miss Bedelia was unfortunately parted from her internal rods at some point in her life.  I am still debating how, and if, I need/want to replace them, since I suspect there is little or no chance of finding anything like them at this point.  Unless, of course, a miracle occurs, and I run across them in someone’s old donated sewing supplies at a thrift shop.  Here’s what they look like, in a bit more detail:

You can understand, I’m sure, the longing with which I read this note on page ten:

If you want extra sliding rods for “My Double” they are available at 20 [whoa — there’s no cent sign on my keyboard!  talk about extinction! — ok, read that as ‘twenty cents’] each.

That’s the kind of time machine I’m interested in — the one that lets me order from the past!

Related:

Miss Bedelia:  My New Dress Form

Easiest Dummy Stand Ever

“My Double” Instruction Booklet

A Tale of Two Dummies

Replacement Rods for “My Double” Dress Form

Posted in Tools | 28 Comments

Miss Bedelia: My New Dress Form

Miss Bedelia is my “new” dress form:  she is a gift from my dear aunt, who was kind enough to name her, too, thus sparing her the ignominy of an anonymous existence.  I’ve always wanted one of these, partly because they are such an artifact, but also because I simply wanted to know how they work — and if they are effective as other types.  Not that it matters — is there anything more iconic than this?

Mr. Noile recently helped me fit Miss Bedelia.  This was a non-trivial operation.  There are snaps down the center front and back, but, if you’re trying to put this carapace on by yourself, wriggling into it is, well, interesting.   Or, in my own case, nearly immobilizing.  Mr. Noile was preoccupied downstairs at the time, playing “Birdie” with our little cat Aldebaran, so rescue was not immediately at hand.  Aldebaran is our very bright, hyper-active young cat, and the entire household’s well-being depends on Aldebaran getting a daily workout playing Birdie.

There are no photos of me encased in Miss Bedelia.  This is at least partly because once Mr. Noile found his way upstairs, he took one look at me, wrapped as I was in a steel cage, and said “so it’s not just kilts, is it, now?”  which was a reference to my affection for men in kilts.  Which I assure you is merely in the interest of their (or, in this case, Mr. Noile’s) well-being, not some random perversion. Who wouldn’t want to wear a Utili-Kilt?  Particularly the one with all the (snap-able! removable! adjustable!) cargo pockets?

But I digress.  Mr. Noile agreeably pushed and pulled and generally mauled Miss Bedelia into (my) shape, and then unsnapped both sides.  That was, itself, a bit of a weird moment, as I shed two halves of myself, and watched them split off, all hollow and, well, empty of what makes me, me.

I quickly reassembled Miss Bedelia, and tried my nearly-finished red dress on her new shape.  Perfect!  Or as near as can be expected — the dress actually fits me a bit better, but Miss Bedelia’s form is plenty close enough  to work with.  Miss Bedelia will be best with woven fabrics, though, I can see.  The lumps and bumps made by her hardware might be a bit distracting, and perhaps cause some distortion, when working with knits.

She originally came with a set of adjustable rods which thread through loops attached to her center support, and with twill-tape-like ties to hold her shell to the shoulder support.  I was able to replicate the ties, of course, but haven’t quite decided what to do about the internal supports, though I’m kicking around a couple of ideas.  If I’m careful, they may not be necessary.

Because Miss Bedelia’s pedestal spelled disaster for my oak floors, I picked up a rolling plant stand from IKEA, guessing that it would work well.  As you can see, it couldn’t have been a better solution.  Miss Bedelia is very light, so moving her around the room is a breeze now, and no floors are harmed in the process.

Related: 

Duct Tape Dummy

Easiest Dummy Stand Ever

“My Double” Instruction Booklet

A Tale of Two Dummies

Replacement Rods for “My Double” Dress Form

Read the post about the dress here:  Vogue 1088 and Burda 7658

Posted in Tools | 10 Comments

Smith-Owen – Grand Rapids, Michigan

Smith-Owen were the people who repaired my Pfaff 1229, but even if you don’t have an ailing machine, Smith-Owen is well worth a long visit. The staff is incredibly nice and very helpful — one person even went through a drawer of miscellaneous parts looking for any hidden feet that might fit my 1229.

so-blts-300

The fabric part of the store caters to quilters — without quilters would we even have any fabric stores anymore? — and is abundant with walls of beautiful cottons and inspirational projects.

so-isnp-400

The notions walls are complete, as is the book selection — in addition to those up front, there’s a huge rack in the back to peruse, too. If you’re in the area, there’s a large, airy classroom, and a ton of options for classes.

so-int-400

Lovers of Michigan’s lighthouses will appreciate the nicely done Michigan Lighthouse Panels (suitable for a cottage quilt, pillows, totes or just about anything else). Check out the Smith-Owen website; it’s much more extensive than most, with lots of swatches to view. I wouldn’t hesitate to mail order from them; it’s clear that they are really, really serious about very good customer service.

so-mach-400

Smith-Owen sells new Pfaff, Viking/Husqvarna and Singer as well as “pre-owned” machines. The store is easy to find: It’s on Plainfield Avenue just past the Plainfield limits sign (though the address is Grand Rapids). Plan to go during the week or on Saturday; like many stores in the area, Smith-Owen is closed on Sunday.

Disclaimer:  This is a personal blog, and I received no compensation for this review, which represents my opinion and my experience alone.  My visit to Smith-Owen was in 2008.  (Yeah, I know — another post that got lost!)

Posted in Stores | Leave a comment

Early Olfas

The US Park Service maintains a printing office and bindery at 320 Market Street in Philadelphia.  Using replica presses, Park Service employees demonstrate 18th century printing presses and discuss printing in the era of Benjamin Franklin.  It’s a fascinating look at the process, but something that especially caught my eye were these devices:

ps-olf-300Look familiar?  Exactly:  Early Olfas.  These rotary cutters were used to cut paper, though.  It was another 300 years or so before  smaller versions made it into our sewing rooms.

Posted in Tools, Vintage | Leave a comment

Organization -1798 Style

Philadelphia has had to stretch a bit to capitalize on its association with Benjamin Franklin; sometimes this works, and sometimes it doesn’t.  I suspect that many of the visitors to 322 Market Street leave believing that they’ve seen a replica of Ben’s own office, but the restored room actually belonged to his grandson, Benjamin Franklin Bache.

It’s still historical, and still of interest, whether or not the association with the founding father is direct, so it doesn’t particularly bother me that the two Bens get a bit conflated.  As often happens, it’s the small artifacts of life that catch my eye most frequently.  Here’s what I saw on the wall at the address in question:

bb-fkln-400Grandson Benjamin published his own newspaper, The Aurora, here in the late 1700s, and this was his wall file.  Butterick’s got nuthin’ on Ben Bache.  (You’ll need to click on the third picture from the left, directly under the large picture at the link to get the specific reference.  Heaven forfend a pattern site link should actually be useful.)

Posted in Home, Organization | Leave a comment

If I Were A Doll

This is the one I’d be:

at-eg-300Peter, of Male Pattern Boldness, has offered a challenge to his readers.  Answer one of three questions, and be considered to win a set of Glamour Girl paper dolls.  I don’t normally do these things, but I was so prepared for this one.  You’ll have to check out Peter’s blog to see why.  (Check the comments on this post, if you’re curious.)

Posted in Fun | Leave a comment

The Kitchen Sink

Note: Edits added 1/24/2012, added in italics, and bold, below.

There’s been precious little sewing, and even less sewing blogging, around here lately.  There’s always a long list of things that need doing, not many of which require needle and thread.  Here’s one of them; I decided to post it because I think that anyone who can sew can probably handle this particular bit of home repair.  It was actually kind of fun, and I loved not paying a plumber a hundred bucks or more to install it.  Here’s our old kitchen faucet, dating (I think) from around 1970:

fau-old-400It’s ugly, it’s never been maximally useful, and it developed a loathsome drip.  We’ve always hated having a faucet that was so low — almost on level with the top of the sink — since it’s difficult to get deep pans under it.  I decided I’d rather replace it than deal with taking it apart just to fix the leak.

So I trotted over to Lowe’s and found a new one.  As it turned out, there weren’t many options for us;  at all of the hardware stores in our area, there were only two faucets that would work in our particular situation.  (I’ll explain that later.)  Most people won’t have that much trouble finding a replacement.  Figuring out which one to buy isn’t usually a problem either;  in general, sinks have standardized holes in the stainless or porcelain.  You just need to know the number of  holes, and the configuration.

I found a faucet assembly that would work, got the tool kit out of the basement, cleared out the cabinet, and reached in to turn the water off.  And couldn’t.  The valve handles wouldn’t budge.  Stymied at the first moment!  The first step for this home repair project, much to my surprise, involved these tools:

fau-wp-400WD-40 is my best friend.  When using it, tap gently, or you’ll end up calling the plumber after all.  It took only a couple of minutes’ work before I was able to turn the handles.  With the water lines closed off, I crawled into the cabinet and peered under the sink:

fau-bef-400Ours is a four-hole sink, but the 1970s faucet uses only two (you can see the water lines above, one hot, one cold, which go to the appropriate faucet handle). The fourth hole, on the far right, holds a brass plug in place over the hole where a sprayer would go.   Yeah, that sink needs replacing, too, along with the 1952 counter, but that’s a project for another time.

I reached up and unscrewed the rather weird little rods holding the faucet in place.  There was nothing else keeping the faucet assembly steady, so I went slowly, making sure that I could ensure that the assembly would end up resting on its side, instead of falling into my porcelain sink and chipping it.  If your sink is in better shape than mine, you might want to  hedge your bet a little and line it with a towel against damage.

Under the faucet was horrifying:

fau-rem-400Blech!  Getting rid of this, alone, would have been a good reason to replace the old faucet.  Weirdly, all of these deposits and the grime scrubbed off very nicely — without even much effort.  I used a non-metal scrubber, cleanser, and polished like mad. It was beautiful when I finished, which apparently amazed me so much that I forgot to take a picture.

Once the surface was clean, I placed the new faucet assembly into the holes.  (I debated scrubbing off the rust underneath, but couldn’t bring myself to do it.  There’s a stainless steel sink in our future.)  Here’s what the assembly looked like from the underside:

fau-cncts-400The new faucet is just set in place here.  The gray water hose on the left isn’t connected; it’s just sitting there.  See the threaded steel post on the right, just above the whitish connectors?  There’s another one on the left, though you can’t see it as well.  Those posts are what holds the faucet in place.  This is possibly the kludg-iest connecting system imaginable, but it’s also exactly the one that held the 1970s assembly in place, so apparently it’s got tradition going for it.

Here are the parts that get attached to those posts:

fau-brac-400

The little round tube is a spacer.  You twirl the rectangular bits onto the posts until they are braced against the bottom of the sink.  Wacky, no?  It does seem to work, although it looks pretty dicey:

fau-undr-300You can see the rectangular bit, the tube, and the nut that holds them in place.

Edited 1/24/2012: I found that the toggles that  go across the holes underneath the sink tended to slip, so I picked up a couple of large washers and threaded them onto the bolts before replacing the toggles.  Now, under the sink, there’s a washer up against the underside of the hole; then the rectangular bit (the “toggle”); the tube, and finally, the nut that holds it all in place. The washers provide a more stable resting place for the toggles than just having the open hole, and prevents any slippage that might occur as the faucet handles are turned again and again over time.  You want to be careful when tightening a porcelain-finished sink; the washer gives you a little more leeway for keeping things snug, without risking cracking the porcelain finish.

Once the faucet assembly is centered and firm, you re-connect the waterlines to the new assembly:

fau-cabl-300

Because it uses a lever instead of two handles, the new faucet doesn’t use the right and left holes for the water lines; instead, all of the connectors go through the large, center hole that the 1970s faucet didn’t use at all.  The two gray vinyl tubes are the hot and cold water lines, and the patterned hose goes to the new sprayer, which replaced the messy cap that originally covered the fourth hole in our sink.   I checked the connections very, very carefully, and that was it.

The whole installation took less than an hour.  Here’s the new faucet:

fau-inst-400Well, that’s what it’s supposed to look like.  Because we have a portable dishwasher, our faucet has to have an adapter on the end of the spigot; it was this that severely limited our choice of hardware.  It seems that modern faucets usually have some kind of fluted end, many with sprayers built into the spout, and we can’t hook our dishwasher onto any of those.  It may be 1952 in our kitchen, but the dishwasher is a critical part of our 2010 life, so fancy faucet tips were out of the question.

Our new faucet doesn’t look quite as nice (or maybe just doesn’t look quite as finished) with the dishwasher adapter on the end:

fau-dw-300But it stands a lot taller than the old one, swings out of the way much more effectively, and, although we don’t use it, it’s a lot nicer to have a sprayer installed in the fourth hole than an ill-fitting blank.  (By the way, I did have to uncoil the sprayer hose under the sink and let it sit for a day before it un-kinked enough to allow us to lift the sprayer head.)

Because we realize that we’re likely to sell our house someday, I put the correct head into a plastic bag, labeled it, and taped it to the pipes under the sink.  That’s so that we will have it handy when the real estate agent explains that we’d better get the house in shape to sell it.

Related:  Sinking, Not Sewing

Posted in Home | 4 Comments

Cork-Backed Tiles

When Mr. Noile and I started eating hot pot for dinner, we realized that it would be a great idea to have something larger than a trivet to put underneath our cast iron kettle when it is on the table.  The solution turned out to be more versatile than we expected:

tl-bwl-400I found 12in by 12in sheets of ceramic (technically, these may be glass) tiles at a local hardware store, and cemented them to a thin layer of cork.

Here’s what one of those squares looks like:

tl-sngl-400I made four, so that we could use them in various configurations.  Here’s our table with the tiles arranged by twos:

tl-twtw-400Four in a row, down the center of the table, they look like one continuous set of tiles:

tl-tps-nosp-300Using just three, with spaces between, looks completely different (yeah, it also looks different because my photographic skills need help; working on that):

tl-trpl-300One advantage to these mats is that they store very easily, as they’re quite thin.  We tend to keep two on the table, and two more on a coffee table in the dining room, which gives us a place to put cups or snacks if we’re sitting there.

Finding very thin cork for the backing was a little tricky; an office supply store had thin cork, but only in pieces too small for these tiles.  I found a roll at a local office/art supply place, and used an Olfa cutter and a steel ruler to cut it to size.

I tried several different adhesives before I found the right one; you’ll probably have to experiment, as what you’ll need will depend on your particular tiles, and the backing on which they’re sitting.

Attaching the tiles to the cork required some dexterity, since there are small spaces between each tile.  I had to put a drop of adhesive on the back of each tile; I managed this by doing the first row, and then applying adhesive and rolling the tiles onto the cork row by row.   I put weights (stacks of heavy cook books) on the tiles until the adhesive had set — in this case, overnight.

Posted in Home | Leave a comment